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G Bar G
Bronc Saddles

The base for a good bronc saddle is the tree and ground seat. The past
several
years we have been working on our G Bar G Gold Bronc Saddle to get the tree back to the
way it was years ago. Through time little changes were made, some I made and
some the tree shop made. We now feel we have the old shape back and great
quality we have never changed. Now we have two great styles to choose
from.
The tree is made of wood covered with rawhide. The G Bar G Gold design is from my own
knowledge and work acquired over the past 30 years with the help and design
from (4) different styles of Gold Seal Hamley Saddles. The design helps the
saddle sit high, with no rocking on a large variety of horses and the flair
of the back bars keep the saddle from snapping back, at the same time made
so as to never hurt a horse.
The G Bar G Gold style ground seat is constructed so you sit as
deep as possible. The cantle is what we call a Beaver slide type cantle.
It's designed to allow you to slide down in the seat and force your legs up
under the swells. There are many saddles that have high cantles, but they
only force your upper body forward and against the swells, but this throws
your body out of position for the next step in your spurring ride. That is
the reason for our design; to get your pelvis tipped forward and
your leg up under the swell which positions your feet high in the neck of
your bucking horse.

As you can see from this picture of Cody Wright riding our saddle, he is able
to sit deeper in the seat and get high over the points of the shoulder or
high in the neck, still being able to float out of the saddle with the next
movement of spurring back to the cantle and back to the front end to
complete a full stroke. We have made a major change in the bar setup
to help make the saddle sit higher on the horse, but also take the pressure
off the stirrup leathers. This will help narrow the front end down, as
well, and help you get around the corner to set your feet.
Our new G Bar G II, has several changes from our G Bar G Gold.
First, we changed the front end or swells. They sit so you have a deeper
swell. They do not have a definite pocket, but allow your leg to have equal
contact throughout the spur stroke.
The ground seat makes the saddle feel much narrower and deeper seated.
The cantle is deeper dished and wraps around further with a relief for your
tailbone. This is a different feel than our G Bar G Gold.
The bars are designed for the saddle to sit up well in front, but take
the pressure off your stirrup leathers, thus allowing easier forward motion.
The bars flatten out in the seat to allow a deeper seat and also set you up
for more extension to the front end, allowing you to get higher in the neck
and set your feet without resistance.
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G Bar G Gold |

G Bar G II |
The front rig is attached to the tree with (6) 1 1/4" screws on each side
for long lasting strength. We use American made E-Z Dee of brass for
strength, yet flexible enough to stop any stress breakage.
The front rigs are set as specified in the rules set by the PRCA and
other association rule books.
The G Bar G Gold and
G Bar G II
swells are basket stamped and buffed in the leg
area, because rosin sticks well, but doesn't build up as fast. Rosin heats
faster and sticks better when in thin layers. By using the grain side of
leather, you don't have to scrape the rosin as often. This makes your swell
covers last longer and still gives you the same performance. Rough out
swells can be made if you so choose.
The seat is rough-out to give you equal friction over the entire seat
area, thus giving you a more secure ride yet a ride with smooth movements.
The cantle binding is hand sewn to give a tight fit and long life. It is set
so it does not bite you during the ride, but lets you slide in and out of
the saddle in a smooth, floating motion.
The back rigs are designed to give strength and balance to the saddle and
positioned to keep the saddle from snapping back. They are lined with Indian
Tan Latigo for longer wear and strength.
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G Bar G Gold |

G Bar G II |
The skirts are single layered except for the front portion, which is
doubled to give firmness and to keep out folds or wrinkles in the area your
stirrup leathers slide over. This allows a full stroke back to the front
without any catching or jerking motions.
Latigos are made of the best German harness leather for strength and ease
of pulling. We use harness leather as our own preference because we feel you
don't get the slip or loosening with Latigo leather that you sometimes get
with nylon Latigos.
The cinch is a 33 strand, 30" cinch with a solid woven center bar to give
you the wide cinch specified in your association rule books. The Dee rings
have been designed so you have a flatter area where the Latigos fold over.
This stops the cracking on the outside edge of the Latigos and gives you a
longer life on your Latigos. A little baby powder applied to your latigos
every few rides will keep your latigos pulling smooth and without a bubble
or wrinkle.
The back cinch and billets are doubled and stitched for longer lasting
strength and durability under normal conditions. The billets are designed
lighter and will break before the back rigs are torn out during a bad wreck.
The billets are more accessible on the road and a lot easier to put in than
a back rig.
Stirrup leathers have changed so much over the past few years. We have
come up with a new combination that has become very popular. We make the 3"
leathers, preferred by Mo Forbes. He likes the
leathers with no extra hardness added. This gives you a smoother fold or
break over point.
Sandy Bob
Forbes prefers the 2-1/2" leathers, but made
from the same materials. We do make the same with a firmer belting material
inserted for a firmer leather. We make a half leather, either the outside
portion with buckle and fender or the inside (the side that is replaced most
often) leather that is doubled and stitched to give the snap in your
leathers.
We have Extra Short (up to 30" inseam), Short (30-32" inseam), Regular
(32-34" inseam), Long (34-36" inseam), Extra Long (38" and up inseam.) These
sizes will change with the size of saddle used and thickness of the leg, but
work as a starting point for your size. Any unused or undamaged leathers can
be sent back for exchange, with only the return freight paid by you.
To cut cost and make it more convenient for you to set your leathers, we
make a Half leather. This is only the doubled portion of the leathers. You
cut your old leathers on the outside of the bar about half way between the
top of the bar and the middle of the swell at the bottom. This puts a swivel
in your leathers and helps take out bubbles and prevents outside leathers
from laying too low. The Half Leather is attached to the old outside leather
by a nylon lace that comes with the Half Leathers. If you should have a
quarter bind break, your leather would still be held together, preventing
you from taking a nasty buck off. The stirrup leathers are now made with
quarter bind holes in them. These are lined with nylon and heated to keep
from tearing out or fraying. The same is done with the Half Leathers.
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G Bar G Gold |

G Bar G II |
When setting your new Half Leathers for length in your saddle, the
following helps to get them correct without many changes. Mark your holes in
your quarter binds, binds and buckle holes in your leathers. Lay your new
Half Leathers on top of the old ones when you get them out. Mark the old
holes on the new leathers before putting the new ones back in. After
inserting leathers in and bringing the flap over the top of the bar, fasten
the quarter bind in the hole used before. Now sit in the saddle and check
your length. It should be very close to what you had when you had your old
leathers in. Not only have you set the length, but you have set your quarter
binds and now have cantle pressure. Next mark the top flap in the new half
Leathers on the outside half way between the top of the bar and the middle
of the swell at the bottom. Punch two holes in the Half leathers and also in
the outside old leathers so they can be laced together with at least half an
inch between them or whatever distance it takes to set the correct bubble on
the outside leather.
Your leathers are marked with a number and a size, such as "Regular 10".
This shows the size and the number "10" is for our use in keeping the pairs
together when they are cut until they are finished. This keeps the leather
matched for performance.
As you can see from the pictures on this page, Brad is well into the
front end before the horse's front feet hit the ground. By doing this, you
can keep in time with your horse and when he hits the ground, your weight
forces you down in the saddle, sliding up under the swells and sets your
feet in the neck. This enables you to get drag as you start your spurring
motion back and helps keep you pulled down in the saddle and in motion with
the horse. This keeps your rein hand free to control your upper body and
balance.

Brad Gjermundson by James Fain
One horse is turning back and the other is bucking straight away, but the
feet and body positions are the same in both pictures.
This is the reason your saddle is so important. It give you the same
opportunity on every horse, with the chance of your bucking horse draw and
your ability to take you to the pay window.
Your body size and ability will determine your best saddle size. The
following sizes have been updated as to what everyone is looking at now. I
personally think you should stay to the shorter end of the saddle in your
size if you are just starting out.
| 5'5" to 5'7" use 15-1/2 to 16" seat |
| 5'8" to 5'10" use 16 to 16-1/2" seat |
| 5'11" to 6'1" use 16-1/2" to 17" seat |
The largest size we make is 17-1/4" seat. Just remember, for security -
shorten. For extension of the leg into the front end, go longer.
One thing to keep in mind. If your seat length is too short it stops or
hampers your feet from getting high in the front end. If it is too long it
causes you to slide back and forth in the saddle. If you slide away from the
cantle when the horse hits the ground and then back to the cantle when the
horse leaves the ground, you will eventually get behind on your timing.
After you have determined your seat length, sit in your saddle and adjust
your stirrups leather length so you have just a little cantle pressure. To
tell the cantle pressure, straighten your legs, putting pressure in your
stirrup leathers. This should push you against your cantle, but not up the
cantle and then relax your pressure. This should allow you go slide forward
away from the cantle 1/2". If you have more movement than that you will need
to put a block or a half hole in your stirrup leathers. A block is a piece
of skirting leather with holes in it matching the holes in the stirrup
leathers. Place this on the outside of the stirrup leathers, but under the
roller on the buckle; this shortens your leathers. You can use up to 2
blocks of leather. If this doesn't shorten the leathers enough, take the
stirrup leathers up one hole. Remember, the side on which you hold the rein
should be just a little shorter than the other. For instance, if you ride
right handed, your stirrup leather on the right side needs to be just a
little shorter. This keeps your hips and shoulders square in the saddle.
Now that you have achieved the proper length of your leathers, you are
ready to set your anchors or quarter binds. Our new leathers and half
leathers have the quarter bind holes in them so the next step for punching
the binds can be skipped.
For the stirrup leathers needing quarter bind holes:
Notice the picture (Figure 1) and see that the stirrup leathers are held
straight out and the stirrups straight up. This helps even out your
leathers. With your fingernail or a pencil, put a mark at the top of the
stirrup leather at point (A). Now slide the stirrup leather out over the bar
about 2 to 3 inches to allow yourself room to punch your slot. Using a #3 or
#4 round punch, put a series of holes that make up a slot approximately 1/2"
long. To determine the proper place to put the slot, go back to the mark you
put on the stirrup leather at the top of the bar. Move approximately 1-1/2
to 2-1/2 inches back toward the inside of the doubled portion of your
leathers.
Start your first hole approximately 1/4" from the outside of the leather
towards the front of the saddle. This puts the pressure on the full width of
the leathers. Now punch the series of holes making up a slot as pictured in
(Figure 2).
Taking the end of the anchor strap (B), put it through the slot and
buckle. Tighten this until the outside leather or the one with the fender
has about 3 to 4 fingers slack. Pull the stirrup leathers tight as in
(Figure 1) and check with the other hand approximately at the top of the
fender. Keep adjusting until you have at least a 3 finger bubble on the
outside. The slack in the outside leather enables you to spur to the front
with no stopping of the leathers until you are high in the front end. This
helps set your feet in the horses neck when your weight is forced down in
the leathers after the horses front feet hit the ground.

Figure 2
As explained in the Half Leathers installation, you can make a cut in
your leathers and tie them back together with nylon, leaving slack in
between the leathers for a hinge. There is a photo of the finished job in
(Figure 3)

Figure 3
You can now check the length of the leathers. Sitting in your saddle with
your legs straight out, putting pressure in your stirrup leathers, you will
be forced up the cantle 1/4" to 3/8". When you relax you should slide back
down in the seat. If you slide more than 1/2" up the cantle, loosen your
anchor straps one hole, if not enough pressure, shorten the anchor straps.
This is the procedure to get your cantle pressure. Double check after the
anchor straps are set, that the 3 to 4 fingers bubble is not lost.
You are now ready to make the last adjustment, the front bind straps. You
replace the seat and sit in the saddle. By holding on to the swells with
your legs and rolling to one side slowly spur back. If your leg is forced up
against the swell with pressure, you only need to make a small adjustment on
the bind straps. (Figure 4). If your leg is forced in a rolling motion
hard up against the swells, you need to back off on the bind straps until
you lighten the pressure.

Figure 4
Alternate sides when adjusting so they stay even. Make sure your body
stays in the middle of the saddle and turn your toes out while spurring all
the way back to the cantle. During the adjusting process, move in slow
strokes. This allows you to feel your movements and make proper adjustments.
Your anchor straps control the pressure in your stirrups from the flats
of the shoulder to high in the neck. Your front bind straps control the
pressure in your stirrups from the flat of the shoulder back to the cantle.
There should be the same pressure throughout the spurring motion.
This will give you a good start on the adjustment of your saddle. If you
have trouble, call the shop and we will talk you through it and answer any
questions you might have. |